Martin Messier

[English version coming soon] Corps vitré est une pièce chorégraphique hors norme pour 60 interprètes destinée à être présentée à l’extérieur, à la frontière entre l’art sonore, la danse, la manipulation d’objets et l’installation visuelle. Avec Corps vitré, projet rassembleur et inclusif réunissant des danseurs de différents âges et pratiques, l’artiste multidisciplinaire Martin Messier propose une partition, un dialogue entre l’humain et l’objet, entre l’individu et le monde avec lequel il interagit.

For more than 15 years, Martin Messier has created works in which sound meets images and objects. In the form of performances and installations – with a choreographic tone – , these works place the body front and centre.

After studying composition at l’Université de Montréal, Martin began an experimental sound practice that integrated video images. He quickly developed performative audiovisual apparatuses that brought everyday objects and the sound potential of their various materials to the stage. A number of collaborative projects were carried out over the years, notably with artists Nicolas Bernier, Caroline Laurin-Beaucage, Anne Thériault, and Jacques Poulin-Denis. Martin’s latest performance project, ASHES, marks his first collaboration with French artist Yro (Élie Blanchard).

Presented in some 20 counties, Martin Messier’s productions have received several prizes and nominations: a special mention at Prix Ars Electronica in 2010; listed for a Prix Opus in 2012; Best Experimental Short Film at the Lausanne Underground Film Festival in 2013; the Canada Council’s Victor Martyn Lynch-Staunton Award in 2014; a special mention by the jury at the 2015 Japan Media Awards; and, in 2018, the World OMOSIROI Award in Japan.

Represented by Marc Langlois, Martin is also a member of Perte de Signal, an artists’ centre. In 2010, he established 14 lieux, a company dedicated to producing sound works for the stage, and has been its general and artistic director since then. He lives and works in Montreal.